Come to me,
leave everything you love alone.
Be with me;
give up your humanity for me.
Live with me;
love me more than you love them.
Come alone;
with one bite, I will free you from
humanity’s snare and guide you
into the shadows and the dark.
Category: horror
I heard you say
Etched wooden chairs,
a French polished dining table,
ambient candle lights.
Beyond the dining room
your mind plays on your fears,
the shadows shift, move.
Petrified of the shadows,
a child too young to understand,
darkness frightened you.
Enlightened by knowledge,
you face the shadows fearlessly,
never taking a wrong step.
A touch along your neck,
terror has a name you remember,
you run out into the night.
A windless cold night,
movement within the front trees,
illogical ways of nature.
Those etched chairs,
your father died on one of those,
too long ago, father.
A whisper on the wind,
something I heard you say long ago,
“my darling daughter”.
Between Nightmares
Perspiration and a feeling of heat take hold within the stifling sheets.
Sleep comes slow, yet when it comes, events progress, and I’m standing in front of a light green house with gold-laced windows in a forest at the top of a hill at the end of a cul-de-sac.
Nothing makes sense, as a random stranger dances up with multiple women and says he’s been waiting for me to arrive.
Events progress, then I’m awake from one nightmare only to see something in the bathroom mirror. A heart can only miss so many beats as the sheets become a greenhouse.
Between the nightmares, your side of the bed is empty. You sit in another room playing a game at 2 am, while sleep is inevitable.
Tempt
Scratching at the front door,
the cold wind moves from a whisper to a wail.
Soft slippers sit side by side,
a desire to slip into my slippers and walk downstairs.
Sorrowfully waiting for the scratching to end,
you tempt me to return to you.
Haiku: Ceiling Corner
Frozen, sitting still.
Darkness gathers waiting in
the ceiling corner.
Alone in the Eigengrau
Alone in the darkness.
A sheet is no protection from
the monsters lurking unseen.
She squints to see what is absent,
to quiet the fear within.
Alone in the Eigengrau,
waiting for the terror to begin.
Soft unnatural footsteps freeze the fear,
almost stop her heart.
A silent scream fails to break the silence.
The closer it comes.
The closer it comes.
The closer it comes.
The clos-… “Mum”.
Deceptive Lover
A deceptive lover,
Debonair, rich;
all the qualities
so many want.
An afternoon rendezvous.
Stars in your eyes;
no need to feel the
alarm bells ringing.
At your home,
in the garden;
watching the
twilight become night.
As the sun fades,
you notice changes;
no longer the person
you expected, wanted.
As the knife falls,
shock fills you;
so much blood
on your precious flowers.
Sisters
Weeping from behind the brown door grew louder and louder until one could hear the crying from all corners of the house.
The house lives and breathes something primal; malice lingers in the corners threatening those who venture to close to the flame.
She is only six, so she knows things and sees things the adults choose not to see; things adults choose to forget.
Weeping from behind the brown door stirs something forgotten in her soul as if she knows who occupies those walls.
Taking a torch, she pads tentatively along the hall of rooms to the one that sits at the end; the one with the brown door.
Experienced with keys and as sharp as a knife, she hastily acquires the key and puts the right one in the lock to see if it works.
A click and movement are all the convincing she needs to enter without fear; only to find out why the weeping continues.
Two eyes stare at her, and a quick movement frightens her, yet she holds her nerve and enters further still into the room.
The eyes occupy a person, and the person is familiar to her; the person is her long-lost sister who was feared dead.
Convinced at once that this is the chance, she takes her sister’s hand, they pad along the hall, and out into the night.
The parents awoke the next morning to two empty rooms. Two sisters swept up by a vanishment that created a legend.
For the girls, they made their way through the forest and into the night; now they live countries away without fear of the night.
2 am
Awake again at 2 am,
creating worlds and having visions.
I tell myself I should be myself,
yet there are so many
words in my mixed-up heart.
I’d rather wait for another hour
for the visions of Vikings;
then sleep and dream of terror.
The Apparition
A string of pearls decorate her neck, fall past her chest, and create the illusion of length.
Before the mirror, she holds a brush with a geometrical pattern in blue, silver and white; this precious brush holds sentimental value money cannot buy.
What is the sadness she feels darkening the patches of light from the overly rectangular windows?
Cassandra sits on the bed looking at the beauty in front of the mirror and the brush in her lovely hand, yet she does not know what to do; when she reaches out to touch the beauty, her hand moves straight through the pearls, her chest and nothing makes sense.
Then, without warning, the apparition looks at Cassandra with a longing so sad. Her mouth moves as she says, “Come to me so that I can brush your hair. It is so beautiful.“.
The words grip Cassandra, and she feels an overwhelming urge to be with this beautiful, familiar lady. The feeling intensifies, then it is unclear what happens next; One moment, she was longing for this beauty, and then she felt the brush running through her hair.
No longer feeling herself, she says to the apparition, “Why are you so familiar to me?“
The apparition says, “Cassandra, I have been watching you brush your hair for so long. I’ve grown very fond of you.“
“Who are you?“
“Don’t you know?“
Confused, Cassandra looks around. Her body lays deathly still on the floor. Her lips of blue and her eyes of cloudy nothingness frighten her so much, yet she must ask a question. “What is your name?“
“Cassandra, I am Rebecca.“
Something jolts Cassandra’s memory as she remembers the mansion her husband refused to live in, for his wife died down by the cliffs. Her husband gave her that brush and sometimes watched her brush her hair. Something about the way he watched her seems relevant now, as she says, “Were you my husband’s first wife? Did he kill you?“
“Yes, he pushed me off the cliffs and into the sea.“
“Why am I dead?“
“You have been poisoned over many months. Perhaps it is a cleaner way to die.“
“I can do nothing now.“
“Perhaps you can come with me, and we can make things right.”
They walk from the room together.
C & K 